Sunday, February 21, 2010
LookBooks.com write up!
Radartical!
“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him” John F. Kennedy
There are many different definitions of what an artist is or who he should be. Is he mainstream or unconventional? Is he well respected or criticized? To question an artist or art itself is a hard task because consequently our individual opinions result in a negative or positive attraction. Dictionaries will ultimately put a value on expression while recognizing multiple forms of art such as dance or music. Is it necessary to put a value on creativity? Is it not simply something that makes you content?
I had the pleasure of meeting with Casey RAnderson on February 12th at IVEN.TORY on 237 Lafayette St. He helped to strengthen my idea of success. He’s an artist who’s no stranger to the entertainment industry working on many projects in Los Angeles as an actor and as a filmmaker. I also met his business partner and sweetheart whom of which he told this reporter that they were “more then dating”. She is Marial Maher AKA Seasick Mama. The pair had met in 2009 after Casey moved to New York the previous year to more seriously focus on filmmaking. Together they worked on fashion campaigns and viral marketing campaigns. Seasick Mama provides an artist with the tools to convey their art work whether it be on t-shirts or other collaborative projects.
Casey’s most recent project is much more intimate then his past commercial and film short experiences; the photographing of the orgasm. This adventure, of course required a little simulation. “I brought out something within you…it was like me and my camera were having sex with people” As we talked more about the concept of the simulated foreplay, he gave me a slight push as an example of things he would do to get his friends into the idea. Seasick Mama interjected saying at times she felt like she hated the idea of her boyfriend getting so intimate and flustered but she fully understood his vision.
“I understand the game of the industry…” he tells me as we discuss his past life working with big shots. In Los Angeles he had worked with Kanye West, Tony Kaye [The director of the famed American History X] and even Snoop Dogg. He also worked on many more projects receiving recognition for his recognizable style and achievement. When Casey moved to New York in 2008 he was working on personal projects but also managing a successful night club called Plan B. He assured me he was currently much happier being a “Small time artist in New York”. Though Casey had accomplished so much his story lead to the void he had felt in terms of what made him feel completely happy with himself. So he made something without any intention of it being something huge because the scale in which it was made was completely personal and to be shared with those who supported him.
It was very obvious to me that he always enjoyed making art but how personal and fulfilling his endeavors were becoming were another story. I asked myself does money make you happy? Does who you have on your roster make you feel accomplished?For some “fame” can be an ultimate goal and it can create immense happiness. However, if what you’ve produced means nothing personally conclusively it all means nothing. His latest showing entitled “Fuck You x Fuck Me” was a project he worked on with friends as well as Seasick Mama who produced, a more humble project if you will. Seasick Mama produced T-shirts, a bed installation that sat in front of the window [of IVEN.TORY] and pillows adorned with O-faces. Transparent prints back lit inside four light boxes were hung on the wall each more interesting then the nextA video compiled by RAnderson of 1500 images capturing the whole photo shoot played behind the cashiers booth as the Dj spun records from the 90’s.
I’d like to take this time and remind the public of a well known artist named Keith Haring whom of which was just celebrated by Patricia Field this past week. Keith Haring was an unconventional post modern artist who started by leaving his statements on subway walls with chalk. Eventually he rose to super stardom and exhibited his work all over the world, later starting merchandising and advertising campaigns. Keith Haring even had the opportunity to influence popular culture on such a large scale that he painted a mural on the Berlin Wall three years before its collapse. His work was conveyable to plenty of messages but many of his ideas were sexually charged and opposed to ignorance. Even with all of his achievements many people found Keith to be a “sell out”. This of course is a matter of opinion but in my journalistic opinion Keith Haring is by no means the definition of a sell out. He stayed true to his themes of peace, the enjoyment of life and the acknowledgment of the AIDS epidemic until his untimely death in 1990. His work was no more about the glamour of the industry then Casey’s current work as an artist. If there is anything that they both have taught me the fame and “gratification” is secondary. My question is…what does it mean to be an artist? Does it mean that you paint or draw. Take pictures or produce music? Do you perform on the street? Do you influence people? Do you make yourself happy?After a philosophical conversation with both Casey and Seasick I could see that their goal wasn’t how lucrative their ideas could be. “ Some people would call us sell outs” said Seasick Mama, “Just because we made t-shirts.” Their goal was that of artistic purity. It wasn’t about how many people came. It wasn’t about how many things were bought. The meaning behind the presentation was the art itself. The meaning was to share something with their friends and to be apart of a movement of people who aren’t about the superficial things in life. Sometimes an idea is just an idea. A t-shirt is just a t-shirt. A pillow is just a pillow… and a rose is just a rose is just a rose.
Mike Townsend, of IVEN.TORY, was very willing to let his friend use the space as he liked. He made it more then clear that he enjoyed watching his friends do what they love. So I ask. What makes you happy?
Monday, February 15, 2010
BlackBook Interview by John Ortved, FUCK YOU x FUCK ME
By John Ortved February 15, 2010
We all have that story. Mine involves our family’s cleaning lady, descending from my parent’s bedroom, frozen mid-stairwell, mouth agape—her face caught in the tableau of shock, disgust, and curiosity that can only be achieved by an older person, usually a parental figure, surprised by a masturbating teenager.
The moment remains terrifying and humiliating because it is a public exposure of the most private few seconds of our lives. Even, or especially, as we age the idea that someone other than our partner might see us at that tiny moment of vulnerability remains too terrible to contemplate. It’s one thing for your roommates to hear you shagging—borders on entertainment—but getting caught in the act is another thing altogether. And yet photographer and director Casey RAnderson, and designer Seasick Mama are trying to make hay out of the incongruity of private sex and public exposure with a project called “Fuck You, Fuck Me,” wherein the two have produced a series of pillows, shirts and cards emblazoned with images of their fucking subjects, and vice versa.
At the casting call, “I would sit people down and ask them, ‘Do you know what you’re here for?’ and they’d say, ‘Kind of…’” says RAnderson, who would then ask his subjects to lie back, and simulate sex. “You can be happy, or you can be pissed off because your man just came all over your stomach and you didn’t get yours,” he would tell them. “And they were calm and cool about it; they opened up.”
But why not actually shoot people during the act? Andy Warhol broke that barrier more than 40 years ago with his photographs and films. Why not remove the filter? “That would be a more private thing. I’m fine if there’s 20 people in the room and I’m shooting someone having an orgasm, or I’m bringing them to an orgasm, because I definitely could bring women to having an orgasm without touching them, just talking to them as they touched themselves.”
Amazing. Like a vagina whisperer. “I’m a very sensitive person and able to respond to people and see how far I can push them.”
RAnderson’s source of confidence is anyone’s guess, but not hurting is the past 6 years spent in LA assisting the legendary Tony Kaye, the controversial director of American History X, Soul Asylum’s “Runaway Train” video, and countless commercials (Kaye is also famous for suing New Line for $275 million for not allowing him to be credited as “Humpty Dumpty” in the credits of American History X, and spent over $100,000 of his own money taking ads out in the trades to denounce Edward Norton and the film’s producers). Another source might be the fact that the other half of this loving endeavor, Seasick Mama, is also his girlfriend.
“We’re a team. We’re a couple. That’s my woman. I owe everything to her. She owes everything to me.” The pair cavorted and mixed easily with the crowd at the exhibit opening (at Inven.tory), with shoppers and navel-gazers appraising their work, stopping at each image, seemingly without shock, any awkwardness at all. Unsurprising to RAnderson, because, after all, “It’s just sex.”
Who can traslate French! Thanks Lea...
NYC/Brooklyn figure
Everybody says New York draws artists 's inspiration;and lots of them use Manahattan's soul and atmosphere to creating. But what about the neighbors? Harlem, Brooklyn, somes uniques areas with differents passions.
Moreover,one of the new figure of artistic-urban's world is now living in Brooklyn: Casey Randerson director, screenplayers, photographe. the Image become his way to express and his connexions with people, his collabs and street's experiment got his work deeper and more reliable.
In 2009 he created a partnership with with designer Seasick Mama: he realised campaigns and shorts-movies for collections of tee-shirts...
The campaign called "DON'T BECOME THE THINGS YOU HATE" in 2009 have created a collection of photos and graffitis exhibited in gallerys between Manahattan and Brooklyn. In 2010 they announce another collabaration with campaign called "SEX ON THE CITEE" which will be show at INVEN.TORY a fashion store.
But Casey RAnderson can have severals projects in same time because he also realises videos for the band Hank&Cupcakes and some shorts-movie for Saturday Surf NYC 's promotion.
But he is alone on his most exciting project, his "Lamp and Boat" concept, a serigraphy of wall frescos for outside or inside .
CRA lives now in "east coast" but he deserves to be well knowed on the other side and devellop his art, his ambition and inspriration are no limit so we can beg now that his print will cover not only walls but also canvas, papers and fims reels ..
Brooklyn Figure
15/02/2010
ART, COLLABS, DESIGN, FASHION | Tags: Casey RAnderson, Don't Become The Things You Hate, Hank&Cupcakes, Inven.Tory, Lamp and Boat, Léa Combacal, Saturday Surf NYC, Seasick Mama, Sex On The Citee
On l’ a souvent entendu: New-York est une ville inspiratrice; nombre d’artistes ont puisé dans l’âme et la mouvance de Manhattan pour créer. Et les alentours? On en oublie les neighbors, Harlem, Brooklyn… Des quartiers uniques en leur genre d’où se dégagent différentes passions.
C’est d’ailleurs à Brooklyn que vit une figure émergente de la scène artistique-urbaine: Casey RAnderson réalisateur, scénariste, photographe. Il a fait de l’image son moyen d’expression, à force de rencontres, de collaborations, l’expérience de la rue a accrédité son travail. Depuis 2009 il a lancé, en partenariat avec la designer Seasick Mama, des campagnes photos et des courts-métrages pour ses collections de tee-shirts et cabas. ”
La campagne “DON’T BECOME THE THINGS YOU HATE” en 2009 donna naissance à une série de planches photos et graffitis exposés dans des galeries et des concept-stores entre l’île et Brooklyn. En 2010, ils remettent le couvert avec la campagne “SEX ON THE CITEE” qui sera exposée chez INVEN.TORY, dépôt haut de gamme pour de nouveaux créateurs.
Comme Casey RAnderson sait faire plusieurs choses en même temps, il s’attaque à la réalisation de courts-métrages pour le groupe pop/rock Hank&Cupcakes ainsi que le coffee-shop de Soho Saturday Surf NYC pour leur promo.
Mais son projet le plus excitant n’a pas d’autre partenaire que lui même, il s’agit du concept “Lamp and Boat” une sérigraphie de fresques vouées à recouvrir les façades et les angles des rues et avenues.
Si CRA est typiquement “East Coast”, il aspire à se faire connaître de l’autre coté, l’ambition et la création n’ayant pas de limite il est fort à parier que son empreinte recouvre des murs mais aussi des toiles, du papier glacé, des bobines de film…
Monday, February 8, 2010
Woah! Thanks to everyone... FUCK YOU x FUCK ME
Thank you to Hal Hornhal for never stopping to mentor and inspire me to see my vision.
To all the brave souls who let me basically have sex with them with my cameras so I could get these shots. I had an amazing time shooting all of you and now I'm so pumped to let all see what we made together.
Stephan Schacher for letting us take over his amazing studio to shoot.
And thanks to Mike Townsend of INVEN.TORY for letting us show off the photos and installation this "coming" Friday 6-10p at INVEN.TORY
I hope you all can attend the opening night to see what we have done. Or see it over the weekend, buy a tee and rock an "Oh Face" around your block with pride! The installation is up till Monday
Casey RAnderson... FUCK ME!
are you a FUCK YOU or a FUCK ME person?
Sunday, February 7, 2010
What they said about working with me on FUCK YOU x FUCK ME
Thu at 2:34pm
“Although there were at least 10 people in the room during my time, I felt at moments it was just the two of us… which I think is definitely a sign of talent on the photographer’s behalf.” - Lauren Ross
“I don’t consider myself an exhibitionist in any sort of way, but I am spontaneous. It was something new I haven’t done before…showing of my sexual side, rather than playing it coy.” - Shea Daspin
“I’m definitely a “make-out in the dark” kind of girl, but this shoot was fun! The champagne helped. Let that be a testament to Casey’s skill, he was able to get a sexy picture from a “nervous laugher” who’s afraid to take her top off even at the beach.” - Caitlin Doherty
Monday, February 1, 2010
Whats New With CRA/ L A B, Geez! ask and you shale receive.
YEAR 2002:
My career initially started in acting in the typical city of Los Angeles, where I committed the norm of working at Home Depot while I took acting classes and waited for my push to stardom. I was fortunate enough to star in a feature film and acted in national commercials for; Gogurt, Play Station, Lee Jeans, Coca Cola, Visa and Volkswagen to name a few. It was a very experimental transition for myself, when the tables turned and I wanted to be a filmmaker. I wanted to grab the reins of every aspect of filmmaking; writing, directing, producing, you name it. At this time, I was represented by and working for the John Pierce Agency, dabbling in both sides of the spectrum. I was still acting but I was also John Pierces assistant taking in all the notes I could on casting direction. Over the next eight years, I fulfilled every goal I set for myself and living in Los Angeles was the perfect hub to live, learn, and experience what I needed to do to become successful.
YEAR 2003:
Still in Los Angeles under the wing of John Pierce I wrote a short film called, The Buck Stops Here, a story of a dollar bill that everyone wants to get their hands on. I hired a director of photography, Dan Kanes, for the short who got me addicted to his Panasonic camera. At this point, Kanes and I were a team because he was able to translate all of my ideas into motion and I respected that.
With the experience, came more opportunities and I was the planted inside GO Film Production. Though my role was small as an intern for Patti Ibanez, she's showed me the ropes of the commercial world. I worked my way up to production assistant within two weeks at GO, and soon was able to eat from the craft service table, meet with clients such as Crest, and got my feet wet in all the production puddles.
Next, I made the transition to being a camera assistant. I gained the experience of camera options, the different technology, even down to testing the focal length on a lens. With this position, I also charged my responsibility because I was in charge of all the gear on my truck. Most of the jobs were under Phillipe Rousselot, an Oscar winning director, and his team of creatives gave me a glorified view on the logistics of an organized team.
YEAR 2004:
Within two years, calls started to roll in for my services as a production assistant. I like to believe I started quite a buzz, considering I received a phone-call from Tony Kaye, the director of American History X and Black Water Transit. Within days, I was Kaye's assistant, his crutch, and his pupil. He was a huge inspiration to me, always encouraging that art is alive in advertising. The biggest moment I had working for Kaye is when we began working on an Anti-Meth Public Service Announcement. I was assigned to find addicts to interview, which wasn't difficult living in Los Angeles. I interviewed and filmed a user named Raymond, which turned out to be quite a dark and dramatic piece.
YEAR 2005:
After my time with Tony Kaye expired and my tired eyes worn bored of being a production assistant, I was re-born into the freelance world. I made videos for bands in Los Angeles and surrounding areas, and even landed a spec spot for Converse. Paramount Studios hired me for set-design, which was a fresh experience to build sets for Kanye West. I also was hired by Orbit Gum to dress Snoop Dog for a national commercial. My style started to get recognized and I was stepping into all sorts of excitement.
YEAR 2006:
It was a brand new year and I met Saloman Anaya, a gentleman I still associate with regularly today. He is the curator for Submerged Art and I stood strongly with him as an art director. We organized art shows at the Submerged Art Gallery in Hollywood for dozens of local artists. We never had a night that wasn't "sold out". During this time, I also directed, shot, and edited a short film called, The Girl Who Gets Locked Out, which was successful at the Community Shorts Film Festival in Los Angeles.
YEAR 2007:
I remember picking up the phone and calling immediately calling director of photography, Dan Kanes, to help me with my next short titled, The End of Him by Her. This short was also showcased at the Community Shorts Film Festival in Los Angeles, but also in New York. This was my first time to New York. As soon as I stepped of the airplane, I could sense the energy of the city and I felt immediately at home. With the juggle of LA and NYC, I made the decision to move to New York City because I felt as if this city held the true meaning of filmmaking.
YEAR 2008:
The A Train to Tribeca was extremely loud, but I remember the peacefulness of the doors opening into Jim DeWoody's loft in Tribeca. That was my home for the next couple months. DeWoody has been a teacher at NYIT and an overall genius artist in NYC for the past 30 years. He was also my mentor, father figure, and inspiration while I adjusted to the New York City lifestyle.
Another person that helped me get back on my feet was Josh Boyd, a successful nightlife entrepreneur who owned three of the hottest clubs in the city. I met Boyd behind my lens one evening as I was shooting portraits at a party. With my noted experience in the night lift scene in Los Angeles, Boyd hired me to manage Plan B, one of his three establishments. I had full freedom working at Plan B, I even held castings for some of my current projects.
My first project as a New York City resident was for Colombian Power Energy Drink, titled "Invoke The Power". Produced by Matthew Arrow of Assembly and myself, we produced, wrote, cast, and shot the commercial. In the perfect location of Central Park, it was my first official job with permits, budgets, and clients. It was perfect.
YEAR 2009:
New York City has now become my home. With a strong year under my belt and my chin held high with achievement, I felt like I could take on the world. I continued to keep myself busy with unique jobs like "Better Than Sex Way", a Daily Candy advert for Saturday's Surf NYC, and a small spot for the new Hurley by Pendleton collaboration. I have also found a great partnership with Brooklyn-based designer, Seasick Mama. Together with Sesick Mama, I have directed fashion campaigns and shot editorials for the internet.
YEAR 2010:
With the coming of the new year, I have a lot of on my plate. I am currently working on the SEX ON THE CITEE campaign, a summer t-shirt collection and installation curated by Seasick Mama. In January, I will directing a music video for pop/rock duo Hank & Cupcakes for their Joy Division cover, "She's Lost Control". Lastly, the most exciting creative endeavor is Lamp & Boat, my very own art direction company to apply my skills in all facets of art.
| CASEY RANDERSON |
323.868.7440
| OBJECTIVE | When it comes to the film industry, my experience reaches out to all aspects and positions. I am constantly seeking more opportunities to contribute my skills and knowledge to the projects your company needs fulfilled.
| EXPERIENCE |
| DIRECTION |
Director: Hurley x Pendleton Brand Video .2009 New York City
Director: Daily Candy: "Better Than Sex Wax" Video. 2009 New York City
Director: Seasick Mama: "Don't Become The Things You Hate" Video. 2009 New York City
Director: Columbian Power. 2009 New York City
Director of Photography: Land Yachting Web Series Pilot. 2009 New York City
Director of Photography: "The Girl Who Gets Locked Out" Short Film. 2007 Los Angeles
Director of Photography: The Red Hot Interview. 2006 Los Angeles
Director Assistant: Tony Kaye's Projects. 2005 Los Angeles
| PRODUCTION |
Producer: Columbian Power. 2009 New York City
Producer: "Perfume" Spec Commerical. 2008 Los Angeles
Production Assistant: Toyota Commercial. 2004 Los Angeles
Production Assistant: Bud Light Commercial. 2004 Los Angeles
Production Assistant: ESPN Commercial. 2004 Los Angeles
| PRODUCTION DESIGN, STYLING, SET DESIGN |
Stylist: Seasick Mama: SEX ON THE CITEE CAMPAIGN. 2010 New York City
Set Dresser: Marriot Hotels Commercial. 2007 Los Angeles
Set Dresser: Kanye West: "Stronger" & "You Can't Tell Me Nothing" Music Video. 2007 Los Angeles
Set Supervisor: Bow Wow & Lil Jon Music Video. 2007 Los Angeles
Set Dresser: UPS Commercial. 2006 Los Angeles
Carpenter: Mountain Dew Commercial. 2006 Los Angeles
Prop Assistant: Coors Light Commercial. 2006 Los Angeles
Art Director: John Butler Trio. 2007 Los Angeles
| CAMERA OPERATION & PHOTOGRAPHY |
Editorial Photographer: Seasick Mama: SEX ON THE CITEE CAMPAIGN. 2010 New York City
Camera Operator: MySpace Artist on Artist w/ SerjTankin & Tim Robbins. 2008 Los Angeles
Camera Operator: MySpace The Fit w/ Fergie & Heidi Montag. 2007 Los Angeles
Camera Coordinator: Exxon Mobile Commerical. 2006 Portland, Oregon
Camera Assistant: BMW Commercial. 2005 Los Angeles
Camera Assistant: Ford Commercial. 2005 Los Angeles
| WRITING & EDITING |
Writer: "Perfume" Spec Commerical. 2008 Los Angeles
Writer: "The End of Him by Her" Short Film. 2008 Los Angeles
Editor: "The Girl Who Gets Locked Out" Short Film. 2007 Los Angeles
Editor: Netflix: "Zach Galifianaskis Live at the Purple Onion" Film. 2004 Los Angeles
| COMPUTER SKILLS | :: Most Mac Programs, Final Cut Pro, Photoshop, Excel, ProTools, Microsoft Office