Showing posts with label Seasick Mama. Show all posts
Showing posts with label Seasick Mama. Show all posts

Sunday, February 21, 2010

LookBooks.com write up!




Radartical!

“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him” John F. Kennedy





There are many different definitions of what an artist is or who he should be. Is he mainstream or unconventional? Is he well respected or criticized? To question an artist or art itself is a hard task because consequently our individual opinions result in a negative or positive attraction. Dictionaries will ultimately put a value on expression while recognizing multiple forms of art such as dance or music. Is it necessary to put a value on creativity? Is it not simply something that makes you content?





I had the pleasure of meeting with Casey RAnderson on February 12th at IVEN.TORY on 237 Lafayette St. He helped to strengthen my idea of success. He’s an artist who’s no stranger to the entertainment industry working on many projects in Los Angeles as an actor and as a filmmaker. I also met his business partner and sweetheart whom of which he told this reporter that they were “more then dating”. She is Marial Maher AKA Seasick Mama. The pair had met in 2009 after Casey moved to New York the previous year to more seriously focus on filmmaking. Together they worked on fashion campaigns and viral marketing campaigns. Seasick Mama provides an artist with the tools to convey their art work whether it be on t-shirts or other collaborative projects.







Casey’s most recent project is much more intimate then his past commercial and film short experiences; the photographing of the orgasm. This adventure, of course required a little simulation. “I brought out something within you…it was like me and my camera were having sex with people” As we talked more about the concept of the simulated foreplay, he gave me a slight push as an example of things he would do to get his friends into the idea. Seasick Mama interjected saying at times she felt like she hated the idea of her boyfriend getting so intimate and flustered but she fully understood his vision.





“I understand the game of the industry…” he tells me as we discuss his past life working with big shots. In Los Angeles he had worked with Kanye West, Tony Kaye [The director of the famed American History X] and even Snoop Dogg. He also worked on many more projects receiving recognition for his recognizable style and achievement. When Casey moved to New York in 2008 he was working on personal projects but also managing a successful night club called Plan B. He assured me he was currently much happier being a “Small time artist in New York”. Though Casey had accomplished so much his story lead to the void he had felt in terms of what made him feel completely happy with himself. So he made something without any intention of it being something huge because the scale in which it was made was completely personal and to be shared with those who supported him.







It was very obvious to me that he always enjoyed making art but how personal and fulfilling his endeavors were becoming were another story. I asked myself does money make you happy? Does who you have on your roster make you feel accomplished?For some “fame” can be an ultimate goal and it can create immense happiness. However, if what you’ve produced means nothing personally conclusively it all means nothing. His latest showing entitled “Fuck You x Fuck Me” was a project he worked on with friends as well as Seasick Mama who produced, a more humble project if you will. Seasick Mama produced T-shirts, a bed installation that sat in front of the window [of IVEN.TORY] and pillows adorned with O-faces. Transparent prints back lit inside four light boxes were hung on the wall each more interesting then the nextA video compiled by RAnderson of 1500 images capturing the whole photo shoot played behind the cashiers booth as the Dj spun records from the 90’s.



I’d like to take this time and remind the public of a well known artist named Keith Haring whom of which was just celebrated by Patricia Field this past week. Keith Haring was an unconventional post modern artist who started by leaving his statements on subway walls with chalk. Eventually he rose to super stardom and exhibited his work all over the world, later starting merchandising and advertising campaigns. Keith Haring even had the opportunity to influence popular culture on such a large scale that he painted a mural on the Berlin Wall three years before its collapse. His work was conveyable to plenty of messages but many of his ideas were sexually charged and opposed to ignorance. Even with all of his achievements many people found Keith to be a “sell out”. This of course is a matter of opinion but in my journalistic opinion Keith Haring is by no means the definition of a sell out. He stayed true to his themes of peace, the enjoyment of life and the acknowledgment of the AIDS epidemic until his untimely death in 1990. His work was no more about the glamour of the industry then Casey’s current work as an artist. If there is anything that they both have taught me the fame and “gratification” is secondary. My question is…what does it mean to be an artist? Does it mean that you paint or draw. Take pictures or produce music? Do you perform on the street? Do you influence people? Do you make yourself happy?After a philosophical conversation with both Casey and Seasick I could see that their goal wasn’t how lucrative their ideas could be. “ Some people would call us sell outs” said Seasick Mama, “Just because we made t-shirts.” Their goal was that of artistic purity. It wasn’t about how many people came. It wasn’t about how many things were bought. The meaning behind the presentation was the art itself. The meaning was to share something with their friends and to be apart of a movement of people who aren’t about the superficial things in life. Sometimes an idea is just an idea. A t-shirt is just a t-shirt. A pillow is just a pillow… and a rose is just a rose is just a rose.



Mike Townsend, of IVEN.TORY, was very willing to let his friend use the space as he liked. He made it more then clear that he enjoyed watching his friends do what they love. So I ask. What makes you happy?

Monday, February 1, 2010

Whats New With CRA/ L A B, Geez! ask and you shale receive.

What a great start to the new year and decade. I hope you all are on the same wave I'm on because the surf is very nice. I wanted to put up my bio-resume up on here so you could get to understand who L A B and CRA are, and what we can offer.

I'm so stoked my very close friend and cinematographer, Dan Kanes, is coming to New York this week to shoot some gigs with me.

On Tuesday night I'm directing and acting in a spoof iPad commercial I wrote a few days ago with the Collective Hardware crew: Matt Arrow, Randy Lebeau and Jen Wyse, Marial Seasick Mama will also act in this funny spot.

Then Wednesday I drive up to New Platz to make a music video for Hank and Cupcakes. They did an awesome cover of Joy Divisions "She's Lost Control"

Dan and I will sneak off in the middle of the night to shoot yet another music video for ?????? a house/dance music video. It's about a guy with a face mask who likes to drive around and dance outside with the head lights on him.

Then in the next weeks I'm making a spot, when I say spot I'm saying commercial but I hate commercials so I call them spots, for the awesome custom men and women's store Teddyboy in the LES on Allen.

I'm putting together a book from the Sex On The Citee Shoot I did in January. The tittle will pop up just like your pants when you see these prints. So fucking sexy.

Seasick Mama and I have also made some amazing Valentines Day Cards for you to buy for the loved or hatted one on your list. "Fuck You" or "Fuck Me" cards. Seasick Mama V-Day Cards you can get them online or in store at INVEN.TORY, Teddyboy and Crywolf all in lower Manhattan.

Also look out for a huge Valentines Day party at INVEN.TORY with all of the Seasick Mama apparel with my photos.



This is my bio I wrote over the holidays.

CASEY RANDERSON BIO TIME LINE:

YEAR 2002:

My career initially started in acting in the typical city of Los Angeles, where I committed the norm of working at Home Depot while I took acting classes and waited for my push to stardom. I was fortunate enough to star in a feature film and acted in national commercials for; Gogurt, Play Station, Lee Jeans, Coca Cola, Visa and Volkswagen to name a few. It was a very experimental transition for myself, when the tables turned and I wanted to be a filmmaker. I wanted to grab the reins of every aspect of filmmaking; writing, directing, producing, you name it. At this time, I was represented by and working for the John Pierce Agency, dabbling in both sides of the spectrum. I was still acting but I was also John Pierces assistant taking in all the notes I could on casting direction. Over the next eight years, I fulfilled every goal I set for myself and living in Los Angeles was the perfect hub to live, learn, and experience what I needed to do to become successful.

YEAR 2003:

Still in Los Angeles under the wing of John Pierce I wrote a short film called, The Buck Stops Here, a story of a dollar bill that everyone wants to get their hands on. I hired a director of photography, Dan Kanes, for the short who got me addicted to his Panasonic camera. At this point, Kanes and I were a team because he was able to translate all of my ideas into motion and I respected that.
With the experience, came more opportunities and I was the planted inside GO Film Production. Though my role was small as an intern for Patti Ibanez, she's showed me the ropes of the commercial world. I worked my way up to production assistant within two weeks at GO, and soon was able to eat from the craft service table, meet with clients such as Crest, and got my feet wet in all the production puddles.
Next, I made the transition to being a camera assistant. I gained the experience of camera options, the different technology, even down to testing the focal length on a lens. With this position, I also charged my responsibility because I was in charge of all the gear on my truck. Most of the jobs were under Phillipe Rousselot, an Oscar winning director, and his team of creatives gave me a glorified view on the logistics of an organized team.

YEAR 2004:

Within two years, calls started to roll in for my services as a production assistant. I like to believe I started quite a buzz, considering I received a phone-call from Tony Kaye, the director of American History X and Black Water Transit. Within days, I was Kaye's assistant, his crutch, and his pupil. He was a huge inspiration to me, always encouraging that art is alive in advertising. The biggest moment I had working for Kaye is when we began working on an Anti-Meth Public Service Announcement. I was assigned to find addicts to interview, which wasn't difficult living in Los Angeles. I interviewed and filmed a user named Raymond, which turned out to be quite a dark and dramatic piece.

YEAR 2005:

After my time with Tony Kaye expired and my tired eyes worn bored of being a production assistant, I was re-born into the freelance world. I made videos for bands in Los Angeles and surrounding areas, and even landed a spec spot for Converse. Paramount Studios hired me for set-design, which was a fresh experience to build sets for Kanye West. I also was hired by Orbit Gum to dress Snoop Dog for a national commercial. My style started to get recognized and I was stepping into all sorts of excitement.

YEAR 2006:

It was a brand new year and I met Saloman Anaya, a gentleman I still associate with regularly today. He is the curator for Submerged Art and I stood strongly with him as an art director. We organized art shows at the Submerged Art Gallery in Hollywood for dozens of local artists. We never had a night that wasn't "sold out". During this time, I also directed, shot, and edited a short film called, The Girl Who Gets Locked Out, which was successful at the Community Shorts Film Festival in Los Angeles.

YEAR 2007:

I remember picking up the phone and calling immediately calling director of photography, Dan Kanes, to help me with my next short titled, The End of Him by Her. This short was also showcased at the Community Shorts Film Festival in Los Angeles, but also in New York. This was my first time to New York. As soon as I stepped of the airplane, I could sense the energy of the city and I felt immediately at home. With the juggle of LA and NYC, I made the decision to move to New York City because I felt as if this city held the true meaning of filmmaking.

YEAR 2008:

The A Train to Tribeca was extremely loud, but I remember the peacefulness of the doors opening into Jim DeWoody's loft in Tribeca. That was my home for the next couple months. DeWoody has been a teacher at NYIT and an overall genius artist in NYC for the past 30 years. He was also my mentor, father figure, and inspiration while I adjusted to the New York City lifestyle.
Another person that helped me get back on my feet was Josh Boyd, a successful nightlife entrepreneur who owned three of the hottest clubs in the city. I met Boyd behind my lens one evening as I was shooting portraits at a party. With my noted experience in the night lift scene in Los Angeles, Boyd hired me to manage Plan B, one of his three establishments. I had full freedom working at Plan B, I even held castings for some of my current projects.
My first project as a New York City resident was for Colombian Power Energy Drink, titled "Invoke The Power". Produced by Matthew Arrow of Assembly and myself, we produced, wrote, cast, and shot the commercial. In the perfect location of Central Park, it was my first official job with permits, budgets, and clients. It was perfect.

YEAR 2009:

New York City has now become my home. With a strong year under my belt and my chin held high with achievement, I felt like I could take on the world. I continued to keep myself busy with unique jobs like "Better Than Sex Way", a Daily Candy advert for Saturday's Surf NYC, and a small spot for the new Hurley by Pendleton collaboration. I have also found a great partnership with Brooklyn-based designer, Seasick Mama. Together with Sesick Mama, I have directed fashion campaigns and shot editorials for the internet.

YEAR 2010:

With the coming of the new year, I have a lot of on my plate. I am currently working on the SEX ON THE CITEE campaign, a summer t-shirt collection and installation curated by Seasick Mama. In January, I will directing a music video for pop/rock duo Hank & Cupcakes for their Joy Division cover, "She's Lost Control". Lastly, the most exciting creative endeavor is Lamp & Boat, my very own art direction company to apply my skills in all facets of art.



This is my Resume

| CASEY RANDERSON |

323.868.7440

cra@caseyranderson.com

www.caseyranderson.com

www.vimeo.com/caseyranderson



| OBJECTIVE | When it comes to the film industry, my experience reaches out to all aspects and positions. I am constantly seeking more opportunities to contribute my skills and knowledge to the projects your company needs fulfilled.


| EXPERIENCE |


| DIRECTION |

Director: Hurley x Pendleton Brand Video .2009 New York City

Director: Daily Candy: "Better Than Sex Wax" Video. 2009 New York City

Director: Seasick Mama: "Don't Become The Things You Hate" Video. 2009 New York City

Director: Columbian Power. 2009 New York City

Director of Photography: Land Yachting Web Series Pilot. 2009 New York City

Director of Photography: "The Girl Who Gets Locked Out" Short Film. 2007 Los Angeles

Director of Photography: The Red Hot Interview. 2006 Los Angeles

Director Assistant: Tony Kaye's Projects. 2005 Los Angeles


| PRODUCTION |

Producer: Columbian Power. 2009 New York City

Producer: "Perfume" Spec Commerical. 2008 Los Angeles

Production Assistant: Toyota Commercial. 2004 Los Angeles

Production Assistant: Bud Light Commercial. 2004 Los Angeles

Production Assistant: ESPN Commercial. 2004 Los Angeles



| PRODUCTION DESIGN, STYLING, SET DESIGN |

Stylist: Seasick Mama: SEX ON THE CITEE CAMPAIGN. 2010 New York City

Set Dresser: Marriot Hotels Commercial. 2007 Los Angeles

Set Dresser: Kanye West: "Stronger" & "You Can't Tell Me Nothing" Music Video. 2007 Los Angeles

Set Supervisor: Bow Wow & Lil Jon Music Video. 2007 Los Angeles

Set Dresser: UPS Commercial. 2006 Los Angeles

Carpenter: Mountain Dew Commercial. 2006 Los Angeles

Prop Assistant: Coors Light Commercial. 2006 Los Angeles

Art Director: John Butler Trio. 2007 Los Angeles


| CAMERA OPERATION & PHOTOGRAPHY |

Editorial Photographer: Seasick Mama: SEX ON THE CITEE CAMPAIGN. 2010 New York City

Camera Operator: MySpace Artist on Artist w/ SerjTankin & Tim Robbins. 2008 Los Angeles

Camera Operator: MySpace The Fit w/ Fergie & Heidi Montag. 2007 Los Angeles

Camera Coordinator: Exxon Mobile Commerical. 2006 Portland, Oregon

Camera Assistant: BMW Commercial. 2005 Los Angeles

Camera Assistant: Ford Commercial. 2005 Los Angeles


| WRITING & EDITING |

Writer: "Perfume" Spec Commerical. 2008 Los Angeles

Writer: "The End of Him by Her" Short Film. 2008 Los Angeles

Editor: "The Girl Who Gets Locked Out" Short Film. 2007 Los Angeles

Editor: Netflix: "Zach Galifianaskis Live at the Purple Onion" Film. 2004 Los Angeles



| COMPUTER SKILLS | :: Most Mac Programs, Final Cut Pro, Photoshop, Excel, ProTools, Microsoft Office